Music
Wyatt Flores' Nashville Week: Ryman, Opry & Beyond Highlights
2024-12-15
Before Wyatt Flores closed out his remarkable 2024 with back-to-back nights at Tulsa’s legendary Cain’s Ballroom, he spent a week performing around Music City. These appearances included sold-out shows at Ryman Auditorium and his participation in the Grand Ole Opry's 2024 Nextstage class concert. The Tennessean had the opportunity to witness his performances and engage in a lengthy conversation with this Universal Music Group/Island Records-signed artist.

Unveiling the Journey of a Rising Country Music Star

Performing Around Music City

Wyatt Flores, a 23-year-old native of Stillwater, Oklahoma, embarked on a week-long musical journey around Music City. His performances at Ryman Auditorium, where he appeared as a guest for Georgia-born sister trio The Castellows and opened for Little Big Town, were nothing short of spectacular. These sold-out shows showcased his talent and charm, attracting a diverse audience.During his time at the Grand Ole Opry, he joined nearly a dozen performers, most of whom were under the age of 30. This multi-generational gathering of talented artists demonstrated the vibrant music scene in Nashville. The Tennessean witnessed his performances at all three venues and was deeply impressed by his artistry.

At the Ryman Auditorium: A Night of Sound and Fury

When flanked by Bo Staloch, Evan Honer, and The Castellows at the Ryman, it became evident that America's youth are engaged in a dedicated process of creating music. Flores took the stage on Saturday night and shared his thoughts. He said, "I don't like to pat myself on the back too much; instead, I like to say that I've (spent the last year) breathing a sigh of relief because my work can stand on its own while I'm enjoying the present and getting excited about the future. My career has taught me to have so much pride in my life (to date and also) where it's headed."The stage at the country music's Mother Church has evolved into a place of inspiration. A year ago, Flores opened for Charles Wesley Godwin, and their performances elicited powerful responses. This year, his own work represented a pinnacle, and both goals felt okay. Whether it was Staloch's confident crooning or Honer's energetic opening, the songs all arrived as patiently told stories.The beauty of Flores' awkward-to-fearless proclamation during his "Half-Life" EP track "I Believe In God" was emblematic of a generation of post-teen singer-songwriters. They are empowered by a confusing life crossroads and must decide whether to hold onto their music or set it free.

Americana and Roots Music's Youth-Driven Surge

A multi-generational, Americana-to-rootsy, soulful classic rock synergy is brewing in Nashville. Streaming platforms and word-of-mouth influence have given rise to a new wave of artists. Over 150 million songs have been uploaded to Spotify since COVID-19's quarantine, and there are dozens of artists under 25 currently working in Nashville who will release groundbreaking albums in the next 12 months.This era is characterized by a commercial and musical maturity that values knowing better and doing better. Acts like Kaitlin Butts, Brent Cobb, Charley Crockett, Charles Wesley Godwin, Jason Isbell and the 400 Unit, and Turnpike Troubadours have fostered a new generation of artists inspired by Chris Stapleton and Tyler Childers.

"Welcome To The Plains" and the Red Dirt Flair

Flores' "Welcome To The Plains" album, released in October 2024, showcases his ability to blend harmonies and melodies. Songs like "Life Lessons" reveal hints of Alabama's "Mountain Music" style, while "Losing Sleep" has a bluesy bass groove. "When I Die" also bears the undertones of Kenny Rogers' era.During his live sets, he cracks a beer onstage and jokes about his show being a place where everyone is welcome. His performance of "Wish I Could Stay" and "West of Tulsa" showcases his mastery of the red dirt sound, a blend of country, blues, and psychedelic rock.

Personal Growth and Creative Acclaim

Personal growth has been key to sustaining Flores' art. Ten months ago, he took time off from the road due to a feeling of numbness. He realized the importance of taking care of himself and constantly striving to be a better person. His fans have played a crucial role in helping him through tough times.When asked about his mental and physical health, he said, "I'm a perfectionist who has spent the past year failing and getting better at caring for myself. Constantly trying to be a better person for my band, family and fans has allowed for the best person I've ever been (to emerge)."

Achieving His Dreams

Wyatt Flores' journey has been a wild ride. He used to feel alone, but now his songs have connected with people, and he no longer feels that way. In 2025, he will tour worldwide for three weeks, putting out "relatable" music that allows him and his fanbase to "be there for each other."He started as a kid wanting to play red dirt country in a red dirt band, never thinking he would have success beyond the Oklahoma state line. Now, he has a diverse worldwide fanbase that respects his hard work. He realizes that his dreams came to life in a town filled with dreamers.
Meet Stella Prince: The Gen Z Folk Music Trailblazer
2024-12-15
In a musical landscape where the term "old soul" is often misused, Stella Prince emerges as a true 20-year-old folk sensation. Hailing from Nashville, her musical inspiration stems from the holy trinity of singers - Karen Carpenter, Patsy Cline, and Judy Garland. These three voices have shaped her impressive vocals and equally inspiring songwriting, which is folk-inspired by the queen of folk, Joni Mitchell.

Stella Prince: Carrying the Torch of Folk Music into Gen Z

The Trio that Shapes Stella Prince

Karen Carpenter's voice holds a special place in Stella Prince's heart. As she recalls, "The power of 'Yesterday Once More' makes me sob every time I hear it. She is my personal favorite singer ever. I've been obsessed with her since I was eight years old and I've cried many tears about her. I have photos of her on my walls and carry her memoirs with me wherever I go." Patsy Cline and Judy Garland complete the trio, each leaving an indelible mark on her musical journey.Just like in the '60s folk scene where artists played coffeehouses and clubs every night, Stella Prince has turned a tireless work ethic into burgeoning music success. In 2024 alone, she played 300 shows, all booked by herself. Thanks to these shows, she now has a team in place to help with her mission of bringing folk music to Gen Z.

Stella Prince's Red Carpet Experience

Last weekend, Stella Prince attended the Variety Hit Makers brunch in LA. It was her first ever red carpet, a surreal experience that she describes as "like my world went from black and white to color." Meeting other amazing artists like Lainey Wilson, Benson Boone, Laufey, Dasha, and Lauren Spencer Smith was a highlight. Benson Boone's advice, "My first ever red carpet, I was such a mess, completely freaked out. And then after a few more, I was like, 'Oh, this is fun.'" gave her the confidence to enjoy the moment. After the event, she wrote down 30 pages in her diary to remember it forever.

The Call to Folk Music

Stella Prince's love for music started at a young age. From the age of two or three, she was building towards this moment. After going through COVID and experiencing massive loneliness and isolation, she feels that now is the right time for folk music to be mainstream again. Her music, which she calls Gen Z folk, is specifically written for her generation. It reflects the hardships and emotions of being a young adult in today's world.

Her Path to Success

The past seven years have been a slow build for Stella Prince. She started playing in restaurants, bars, wineries, and breweries. In the beginning, it was hard as no one would listen, but as she grew, people started to pay attention. Now, they not only listen but also mouth the words to her songs. Two of her songs, "Two Faced" and "Crying on a Saturday Night," have a special connection with people. They often share their personal interpretations of the songs with her.

Contemporary Folk Inspirations

Stella Prince looks up to contemporary artists like Kasey Musgraves, Noah Kahn, Laufey, and Lana Del Rey. But for her, Joni Mitchell is the queen of folk. She is amazed to see how Joni Mitchell has become a Gen Z icon. Every time she meets someone her age, they mention loving Joni Mitchell.When it comes to touring in 2025, Stella Prince dreams of touring with Joan Baez. The fact that all these folk singers are still performing and active is truly inspiring.In conclusion, Stella Prince is proudly carrying the torch of folk music into Gen Z, bringing a fresh perspective and a personal touch to the genre.
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Paul McCartney's Tour: Sublime and Beautiful Performances
2024-12-15
Paul McCartney, standing aside, takes a moment to soak in the arena-sized atmosphere filled with Beatlemania. This extraordinary event as part of his Got Back tour in the UK offers an abundance of musical delights.

Experience McCartney's Musical Journey Like Never Before

A Hard Day's Night to Abbey Road

The tour kicks off with the classic "A Hard Day's Night" and takes audiences on a musical odyssey that lasts two and three quarter hours. It concludes with a sublime three-song suite from "Abbey Road". Among the songs performed, the newest one, "Now and Then", completed from John Lennon's old demo and making its debut in the country, holds a special place. The oldest song is from the pre-Beatles band the Quarrymen's lovely skiffle era, "In Spite of All the Danger". McCartney also delves into various emotions through his songs. For instance, he talks about civil rights in "Blackbird" and emotionally sings with an onscreen Lennon in "I've Got A Feeling". The visuals throughout the show are truly stunning, even bringing Ebenezer Scrooge to tears with the seasonal "Wonderful Christmastime" complete with a children's choir and descending "snow".

Exploring McCartney's Songbook Beyond the Beatles

McCartney seems on a mission to showcase the vastness of his songbook. Some unexpected highlights emerge. "Ob-La-Di, Ob-La-Da", which may not be the Fab Four's most celebrated song, triggers spontaneous mass joyful dancing. Wings' overlooked "Letting Go" is more than a match for arena-sized rockers like "Jet" and "Band On the Run", or the dazzling pyrotechnically enhanced "Live and Let Die" which serves as a Bond theme. He also reveals his romantic side with 2012's solo "My Valentine" dedicated to "my wife Nancy, who's here tonight" and an epic "Maybe I'm Amazed". "Let It Be" with the audience choir is humblingly beautiful, and "Hey Jude" might just be the loudest sing-along ever.

McCartney's Enduring Performance at 82

At 82, McCartney and the audience are well aware that his time on stage is limited. His voice has lost some power and timbre, but he doesn't look his age. He convincingly roars through "Helter Skelter" well after the two-hour mark. Clearly, for as long as he can, he will give everything he has.
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