In 2024, the TV landscape underwent significant changes. The industry, still recovering from the writers' strike, witnessed a shift as streaming networks cut back and consolidated. This led to fewer risks and a general reduction in the number of shows, yet there were still a considerable number to keep track of. Uncertainty loomed over every channel, with the medium seemingly in a state of retreat.

Navigating the Uncertainty of 2024 in TV

Streaming Networks' Cutbacks and Consolidation

In the aftermath of the strike, streaming networks took a more cautious approach. They focused on reducing risks and optimizing their resources. This resulted in a decrease in the number of new shows being produced. However, despite the cutbacks, there were still a plethora of options available for viewers. For example, HBO's "True Detective" made a comeback, along with other familiar franchises. This shows how even in a time of uncertainty, some shows managed to thrive.

Moreover, the trend of cutting back extended to the production of original content. Instead, there was a rise in remakes, re-adaptations, and brand extensions. This indicates a shift in the industry's focus towards more familiar and safe bets. While this may provide some stability, it also raises questions about the future of original programming.

Prequel Stories and Reimagined Films

2024 was a year when viewers could delve into prequel stories for beloved worlds. Shows like "Dune," "The Lord of the Rings," and even "Sexy Beast" received prequel treatments. Films that were once iconic in their own right, such as "Time Bandits," "Cruel Intentions," "Presumed Innocent," and "Mr. and Mrs. Smith," were reconceived for series length. This demonstrates the industry's attempt to breathe new life into existing properties.

For instance, "Avatar: The Last Airbender" continued to perform well as a cartoon, leading to the creation of a live-action series. This shows that there is still a demand for these familiar stories, but in different formats. It also highlights the potential for these reimagined shows to attract new audiences and generate interest.

Television's Dependence on Recognition

The TV industry is increasingly powered by the recognition of familiar names and brands. As services scramble to introduce ads in an effort to make back some of their losses, they are drawn to safer bets. A recognizable name is seen as the safest and most visible thing a series can have in a highly competitive landscape.

For example, FX's "Shōgun" may not be an original show, but its connection to the 1980 miniseries gave it an initial advantage. This shows how the legacy of past successes can influence the creation of new shows. However, it also raises questions about the originality and creativity of these shows.

Original Shows Amidst the Uncertainty

Despite the prevalence of remakes and re-adaptations, there were also some original shows that stood out. My own top 10 list for the year included shows like "Shōgun," which was a marvelous piece of television. It demonstrated that original programming could still thrive in a climate of uncertainty.

Other original shows, such as "English Teacher" and "Evil," also showed promise. These shows offered unique perspectives and storylines that set them apart from the crowd. They proved that there is still a demand for original content and that talented creators can find ways to make their mark.

The Future of TV

Looking forward to 2025, there is hope for the future of TV. Shows like "Baby Reindeer" proved that name recognition is not the only way to reach a large audience. Even on Netflix, original and unique shows can find success.

And then there is "Andor," a "Star Wars" spin-off that I am most excited about. It combines elements of moral hardship and psychological toll with the familiar world of "Star Wars." This shows that there is still room for innovation and creativity within established franchises.

TOP 10 LIST:ShōgunRipleyFantasmasEnglish TeacherEvilSmiling FriendsFalloutDelicious in DungeonMr. and Mrs. SmithWe Are Lady Parts

The first season of "Arcane" emerged as a game-changer, leaving an indelible mark on both action cartoons and the video game cartoon genre. It introduced a revolutionary forty-five minute drama format, previously reserved solely for live action series, and presented CGI animation of astonishing visual splendor on the small screen. While "Castlevania" held the distinction of being the first adult video game cartoon and the first not regarded as a cheesy guilty pleasure, it operated within the context of anime imitation as Western adult action cartoons were yet to gain widespread acceptance.

Audio/Visual Prowess: A Visual and Auditory Feast

The second season of "Arcane" effortlessly surpasses the first in terms of audio/visual excellence. It showcases some of the most breathtaking sequences ever animated for television. Animated on a feature film budget, the visuals rival those of Pixar or Dreamworks. There are numerous scenes that experiment with diverse animation techniques, leaving viewers in awe. The action sequences remain as amazing as in the first season, a testament to the consistent quality. Additionally, the contemporary pop-infused audio reaches an unprecedented level of quality. If audio/visuals were the sole determining factor, this would undoubtedly be the greatest television cartoon of all time.

Plot and Character Challenges

Although audio and visuals approach perfection in television animation, the writing of "Arcane" does have notable flaws. The first season deserves high praise for its plot, which told a deep, profound, and personal story about two sisters taking different paths in an unequal world. The story was complex with numerous moving parts. However, the three-year gap between seasons hindered viewers' ability to recall last season's events. The series jumps in without a proper recap, leaving viewers confused. The second season takes a different direction, with various plots that often feel random and lacking in direction. It includes elements like time travel, interdimensional travel, character mutations, and more. The ambiguous ending leaves viewers desiring a more satisfying resolution to the sibling rivalry between Jinx and Vi. It seems that more seasons are needed to flesh out these ideas and avoid a rushed conclusion.

Setting the Stage for the Animated Universe

We know that there are plans for more spinoffs based on different characters in the "League of Legends" video game series. It appears that the second season threw everything at us to set up this animated universe rather than being a self-contained show. It is hoped that the rest of the animated universe will focus on smaller, intimate stories rather than overwhelming viewers with convoluted plots. If "Arcane" had an extra season, it could have reached masterpiece status. For now, it remains a flawed masterpiece, captivating audiences with its visual and auditory grandeur while struggling with narrative coherence.