Boomplay's journey in the music streaming industry has been marked by significant growth and strategic partnerships. In 2019, it announced raising $20 million in Series A funding with the aim of becoming the number one player in the African music ecosystem. CEO Joe He expressed the unique challenges of the African music industry, where there are many independent musicians and small labels, making catalog building a time-consuming process.
Boomplay's CEO, Joe He, had ambitious plans for the platform. In 2020, he told Billboard that he believed the service could grow its user base in Africa to 350 million, highlighting the huge potential of the African market. As of September 2023, the platform claims to have 98 million monthly active users on the continent, demonstrating its growth and popularity.
The situation between Sony Music and Boomplay serves as a reminder of the importance of timely royalty payments in the music industry. It also highlights the challenges faced by streaming services in managing their finances and ensuring fair compensation to artists and labels. As the music streaming landscape continues to evolve, it is crucial for all players to address these issues and find sustainable solutions.
Michael J. Baker Jr. takes on the title role with great finesse. Having played Scrooge before, he channels the essence of Alistair Sims' performance in the classic 1951 film adaptation. His mannerisms and clear, crisp singing voice add depth to the character. From the initial grimness to the celebratory charm by the end, Baker commands the stage throughout.
The ensemble at Fauquier Community Theatre is truly remarkable. With 22 members, each brings their all to every role. They wear varying hats (literally) and make subtle gestures and facial expressions that advance the story without being distracting. The strong cast camaraderie is evident, and it transforms the audience into a cheerful pack.
The opening number, an a capella medley of overlapping carols, showcases the hard work of music director Anthony Smitha. The seamless transition from solo singers to the choral group is a testament to their precision. Throughout the show, the harmonies are pleasing, and the actors are amplified and lit appropriately, ensuring the audience can clearly see and hear them.
The youngest members of the cast shine in the choral number "A Christmas Carol." Their resonant voices add a touch of innocence and joy to the performance. There are also numerous "money songs" that add to the musicality of the show, with a standout being Scrooge's signature ditty "M.O.N.E.Y."
Kyna Chilcot's costume design is spot-on, transporting the audience to London and back to a time nearly two centuries ago. Diane King and Debbie Martin's set/scenic designs are versatile, helping make time travel seem real. Stage manager Esther Wells ensures the sets are changed in minimal time, adding to the seamless flow of the production.
The Ghosts and Spirits in the show play their parts beautifully. Lexi Gioia's lovely high voice and Tim Carlson's smooth bass lead Scrooge through the eras with grace. Brad Broemmel's silent portrayal of the Future Spirit adds a delightful comic element, while his separate role as Mr. Pringle enhances the overall entertainment value.
Each actor in the show masters the English accent needed for their characters, a feat that is no small accomplishment. With dialect coaching from Robert DeBroeck, they bring the story to life and make the audience feel like they have traveled back in time.
Scrooge! The Musical plays through December 15, 2024, at Fauquier Community Theatre. All tickets ($18–$24) are for reserved seating and are selling out quickly. Purchase tickets online or call the box office at 540-349–8760. Printed playbills are available at the performances and online. See Facebook for additional photos. Fauquier Community Theatre is following the latest COVID guidance, and face coverings are optional. This project was supported by the Virginia Commission for the Arts.