Television
David Letterman: "Retirement Is a Myth" in GQ Video Interview
2024-12-11
David Letterman, the most decorated late-night host in television history, met with GQ's Zach Baron in his hometown. This wide-ranging discussion delves into the cost of showbiz, the art of interviewing, and his stance on retirement. Join us as we explore the life and career of this broadcasting icon.

Uncover David Letterman's Insights on Showbiz and Beyond

Early Years and Memories

In November, David Letterman and Zach Baron met at the Indianapolis Motor Speedway where he grew up. Letterman fondly recalled his childhood visits with his uncle, feeling the track's vibrations throughout his body. His first national TV appearance was interviewing Mario Andretti after the Indy 500 crash in 1971. Now, as a part-owner of Rahal Letterman Lanigan, he still has a deep connection to the place.This experience shaped his perspective on show business. As he said, "In show business, I find that I have pretended to be someone I’m truly not. In my life here in Indiana and at my home with my family, I am probably the person I actually am."

The Art of Interviewing

Letterman is renowned for his quick wit and ability to handle interviews. At 77, he continues to work, launching the Letterman TV FAST Channel and hosting a regular talk show on Netflix. In their conversation, they discussed the evolution of his interviewing style.Early in his career, he was criticized for not being a great interviewer. But he realized his mistake when his NBC morning show failed. He learned to have a broader lens and found that his favorite part of the show was talking to people.However, some of his earlier interviews could be confrontational. Looking back, he now realizes that his perception of being the "guy American television was waiting on" skewed his perspective.Today, he approaches conversations with curiosity, not worrying about publicists or audience reactions. It seems to come more effortlessly, and he wonders why he once thought it was a struggle.

The Cost of Showbiz

Letterman admitted that showbiz had made him a worse person initially. He felt the single-mindedness and pressure, focusing only on the show. This led to a lack of energy for other aspects of life.His reputation was that he wasn't very social. He felt the expectation to be funny and entertaining drained his energy before and after the show. But now, he has a broader focus and recognizes the importance of helping others.Even after retiring from his late-night show, he still has anxiety dreams related to it. It's a reminder of the impact it had on his life.

Views on Fame and Celebrity

Letterman has seen many famous people and has learned that he prefers those who are a bit "trembling under the wheel" due to the weight of fame. He believes that if fame has crushed a person personally, it's more interesting than someone who wears it well.He still thinks about the show occasionally, having anxiety dreams about it. But he's not sure what it all means.

Retirement and the Human Mechanism

Retirement is a myth according to Letterman. As long as one is healthy, they still want to produce. He took some time to adjust after stopping the show, realizing that the rhythm was different.He shared his experience of getting upset and throwing phones in the office. But with the help of medication and meditation, he has managed to control his emotions.In conclusion, David Letterman's insights offer a unique perspective on the world of showbiz and life beyond it. His journey is a testament to his resilience and the lasting impact of his career.
TEGNA and Minnesota Timberwolves Team for 5 KARE Telecasts
2024-12-11
The NBA's Minnesota Timberwolves are set to have five of their home games during the 2023-2024 season broadcasted on the NBC affiliate serving the Twin Cities, which is owned by TEGNA. This development comes at a time when cord-cutting and cost-trimming are on the rise, and pro sports play-by-play is finding a new home on free over-the-air television. The Timberwolves' home games will now reach a wider audience through this medium, providing an exciting opportunity for fans to enjoy the action without the need for a cable subscription.

Experience the NBA's Minnesota Timberwolves like Never Before on NBC

Impact of NBC Affiliation on Timberwolves' Home Games

The NBC affiliation for the Minnesota Timberwolves' home games is set to have a significant impact on the team and its fans. With a wider reach through free over-the-air television, more people will have the opportunity to watch the Timberwolves in action. This could lead to increased ticket sales and a boost in the team's popularity. Additionally, it allows for a greater connection between the team and the local community, as more fans will be able to follow the games and get involved. The NBC broadcast will also bring a professional touch to the games, with high-quality production and expert commentary. This will enhance the viewing experience for fans and make the Timberwolves' home games even more exciting.

Benefits for Fans and the Local Community

For fans, the NBC affiliation means that they can enjoy the Timberwolves' home games without the burden of a cable subscription. This gives them more flexibility in choosing how to watch their favorite team and allows them to share the experience with a wider audience. It also provides an opportunity for the local community to come together and support the team. Whether it's through watching the games at home or gathering at local viewing parties, fans will be able to connect with each other and create a sense of community around the Timberwolves. Moreover, the increased exposure through NBC could lead to more sponsorship opportunities and economic benefits for the local area.

Challenges and Opportunities in the Cord-Cutting Era

The cord-cutting era presents both challenges and opportunities for the NBA and the Minnesota Timberwolves. On one hand, the decline in cable subscriptions means that teams need to find new ways to reach their fans and generate revenue. The NBC affiliation is a step in the right direction, as it allows the Timberwolves to tap into a new audience and increase their viewership. However, it also requires the team to adapt to the changing media landscape and find ways to engage with fans in new ways. This may involve using social media, digital platforms, and other innovative marketing strategies to reach fans who are no longer relying on traditional cable television. Additionally, the team will need to ensure that the NBC broadcast provides a high-quality experience that meets the expectations of fans. This includes having reliable production and commentary, as well as providing timely and accurate information about the games. Overall, the NBC affiliation is a significant development for the Minnesota Timberwolves and the NBA, and it will be interesting to see how it impacts the team and its fans in the coming years.
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Beth Klein, Universal TV's Casting Head, Set to Retire
2024-12-11
Universal Television's EVP of Talent and Casting, Beth Klein, is set to leave the studio at the end of the year after an illustrious 37-year career. This marks a significant moment for the studio as she departs without an immediate replacement.

Her Impact at Universal Television

Klein has held a unique position at Universal TV, being the first and only head of casting. She joined the studio in September 2011 as part of a new executive team during its rebranding from Universal Media Studios to Universal TV. Her early shows included Chicago Fire and Brooklyn Nine-Nine. Over the years, she has been at the forefront of casting for numerous Peabody Award-winning and Emmy-winning series. For instance, she was instrumental in the casting of Hacks, as well as the Law & Order, One Chicago, and FBI franchises. She also oversaw casting for NBC's live musicals like The Sound of Music, Hairspray, and the Emmy-winning Jesus Christ Superstar Live in Concert.Her commitment to authentic casting is evident in shows like Jason Katims' As We See It, centered around three roommates on the autism spectrum, and David Schulner's New Amsterdam, where characters were often portrayed by actors with similar afflictions. She was a driving force behind the StandUp NBC initiative, giving diverse stand-up comedians a chance to win talent-holding deals. She also worked closely with NBCU's Launch Talent and Casting Assistant program.Erin Underhill, President of Universal Television, said, "This is a bittersweet moment for all of us at Universal Television. While we're sad not to have Beth's incredible touch on our projects, we're happy for her new chapter. Her legacy will live on in the shows she championed and the future generations for whom she paved a path. We are incredibly appreciative of all her contributions, especially the care and compassion she put into overseeing casting every role."

Her Time at Showtime

Before joining UTV as SVP, Talent and Casting, Klein spent over 23 years at Showtime. She rose to SVP of Talent and Casting and was one of several executives to follow former Showtime topper Bob Greenblatt to NBCUniversal. At Showtime, she oversaw casting for a wide range of scripted series such as The Big C, Dexter, Weeds, The Borgias, The Tudors, Queer as Folk, The L-Word, Nurse Jackie, United States of Tara, Episodes, Shameless, and Californication. She also handled more than 30 TV movies and the pilots for House of Lies and Homeland. During her tenure at Showtime, she also worked for other divisions of CBS/Viacom, including Viacom Prods., where she oversaw casting for series like Ed and Sabrina the Teenage Witch.Klein said, "I have been fortunate to collaborate with some of the best in the business during my career, and while I will miss my colleagues, I am very excited to embark on this next chapter."
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