The film "I’m Still Here," directed by Walter Salles, has achieved significant recognition at the 2025 Oscars, marking a pivotal moment for Brazilian cinema. Despite not winning the Best Actress award, Fernanda Torres's performance as a grieving mother during Brazil's military dictatorship era garnered widespread acclaim. The movie secured victory in the Best International Feature Film category, highlighting its profound impact on both national and international audiences. This success has sparked discussions about Brazil’s authoritarian past and present, making it a landmark achievement for the country’s film industry.
Fernanda Torres's journey through Hollywood's awards season has been remarkable. Her nomination for Best Actress brought attention to the compelling narrative of "I’m Still Here." Although she did not win the acting accolade, the film's triumph in the Best International Feature Film category was celebrated widely. Torres’s presence at the event, dressed in an embellished Chanel gown, added glamour to the occasion. Meanwhile, her mother, Fernanda Montenegro, who also appeared in the film, previously made history with her own Oscar nomination. The film’s success signifies more than just awards; it represents a critical reflection on Brazil’s historical struggles and resilience.
Fernanda Torres, a 59-year-old Brazilian actress, has become a symbol of strength and resilience through her role in "I’m Still Here." Her portrayal of a mother whose husband disappears during Brazil's military dictatorship era has resonated deeply with audiences. While Torres did not win the Best Actress award, her nomination itself is a testament to her powerful performance. She graced the red carpet in an exquisite Chanel dress, embodying elegance and grace. Torres's achievements extend beyond this single event, as she has been a prominent figure in Brazilian cinema for decades.
Torres’s career highlights include her Golden Globe win for Best Actress in a Drama, where she beat out renowned actresses such as Angelina Jolie and Nicole Kidman. Her acceptance speech was dedicated to her mother, Fernanda Montenegro, another iconic figure in Brazilian cinema. In "I’m Still Here," Torres plays Eunice Paiva, a character based on real-life events. When her husband, a former congressman, is abducted by the regime, Paiva transforms into a human rights lawyer and activist. This transformation reflects the courage and determination of many women who faced similar challenges during that period. Torres’s ability to convey these emotions authentically has earned her widespread admiration and respect.
The film "I’m Still Here" has sparked a nationwide conversation in Brazil about its authoritarian past. Directed by Walter Salles and based on Marcelo Rubens Paiva’s memoir, the movie delves into the life of Eunice Paiva, whose husband disappeared during the military dictatorship. The film’s success at the Oscars, particularly winning the Best International Feature Film category, has brought global attention to this critical chapter in Brazilian history. It serves as a reminder of the importance of confronting and learning from the past.
Salles’s film not only tells a personal story but also sheds light on broader societal issues. The movie has provoked a reckoning with Brazil’s dark history, encouraging people to reflect on their nation’s journey. During his acceptance speech, Salles paid tribute to Eunice Paiva, the woman who inspired the film. He acknowledged the contributions of both Torres and Montenegro, emphasizing the significance of their portrayals. The film’s impact extends beyond entertainment; it fosters dialogue and understanding. In Brazil, the Oscars coincide with Carnival, yet the entire nation stopped to watch this historic moment. The film’s resonance with audiences underscores its role in shaping collective memory and promoting healing.
The 97th Academy Awards witnessed a breathtaking display of fashion as celebrities strutted down the red carpet at the Dolby Theatre. This year's event was marked by a blend of timeless elegance and avant-garde designs, each tailored to reflect the unique personality of its wearer. From pastel hues that evoked a sense of softness to bold, sculptural gowns that commanded attention, the evening showcased a diverse range of styles.
Among the standout looks were those that embraced classic Hollywood glamour. Demi Moore, nominated for Best Actress, epitomized this aesthetic in a shimmering Giorgio Armani Privé gown adorned with intricate crystal embroidery. The gown's plunging neckline and pleated hip details culminated in an elegant train, while Chopard jewels added a touch of sparkle. Similarly, Fernanda Torres, also nominated for Best Actress, floated into the venue in a Chanel haute-couture creation featuring a black silk chiffon skirt embellished with feathers and a guipure lace bodice. The gown required over 450 hours of meticulous embroidery work, showcasing the craftsmanship behind high fashion.
The night also celebrated individuality through vibrant colors and innovative designs. Cynthia Erivo dazzled in a deep green velvet ballgown from Louis Vuitton, complete with exaggerated sleeves and a dramatic collar. Her nails, designed by Mycah Dior, featured gilded details inspired by Oz and the Emerald City, adding a whimsical touch. Ariana Grande, on the other hand, radiated Glinda-like perfection in a custom Schiaparelli gown, with a pale pink satin bustier and a voluminous nude tulle skirt embellished with nearly 200,000 sequins and rhinestones. These ensembles not only highlighted the stars' personal styles but also underscored the importance of self-expression and creativity in the world of fashion.
Beyond the glitz and glamour, the Oscars 2025 red carpet serves as a reminder of the power of fashion to inspire and uplift. Each look, whether classic or avant-garde, reflects the dedication and artistry of designers and stylists. The evening celebrates not just the achievements of those in the film industry but also the beauty and diversity of human expression. Through their choices, these stars remind us that fashion is more than just clothing—it is a form of storytelling, a means of connecting with others, and a way to celebrate our unique identities.
The 2025 Academy Awards ceremony honored numerous entertainment industry figures who passed away over the past year during its In Memoriam segment. Set to Mozart’s “Requiem in D Minor,” this poignant tribute featured luminaries such as David Lynch, Maggie Smith, James Earl Jones, and Donald Sutherland. Notably, Gene Hackman received a special homage from his longtime friend Morgan Freeman. However, several significant omissions sparked considerable online discussion. Actors like Tony Todd, Mitzi Gaynor, Michelle Trachtenberg, Shannen Doherty, Silvia Pinal, Alain Delon, and Olivia Hussey were notably absent from the televised tribute, leading to questions about selection criteria.
The 2025 Oscars’ In Memoriam segment highlighted some of the most revered figures in the film industry. The segment was set to the haunting strains of Mozart’s “Requiem in D Minor,” creating an emotional backdrop for the tributes. Among those remembered were visionary filmmaker David Lynch, acclaimed actress Maggie Smith, the iconic voice of Darth Vader, James Earl Jones, and distinguished actor Donald Sutherland. Each of these individuals left an indelible mark on cinema, contributing to its rich tapestry with their unique talents. Additionally, Gene Hackman, a two-time Oscar winner, was honored through a heartfelt tribute by his close friend Morgan Freeman, adding a personal touch to the ceremony.
This segment not only celebrated the careers of these giants but also acknowledged their lasting impact on both the film industry and audiences worldwide. David Lynch’s surreal narratives, Maggie Smith’s impeccable performances, James Earl Jones’s commanding presence, and Donald Sutherland’s versatility have all enriched the cinematic experience. The inclusion of Gene Hackman’s tribute, delivered by Morgan Freeman, underscored the deep friendships and respect within the industry. This part of the ceremony served as a reminder of the legacy these artists leave behind, continuing to inspire future generations of filmmakers and actors alike.
Despite the moving tributes, the In Memoriam segment at the 2025 Oscars faced criticism for omitting several notable figures. Social media quickly pointed out the absence of actors like Tony Todd, Mitzi Gaynor, Michelle Trachtenberg, Shannen Doherty, Silvia Pinal, Alain Delon, and Olivia Hussey. These omissions raised questions about the selection process and highlighted the challenge of representing the diverse contributions of the film community within a limited time frame. Each of these individuals had made significant impacts in their respective fields, yet their exclusion left many feeling overlooked.
Tony Todd, known for his roles in the Candyman horror series and as a prolific voice artist, was a veteran character actor whose death at 69 was mourned by fans and colleagues alike. Mitzi Gaynor, one of the last surviving members of Hollywood’s Golden Age, starred in classic films like South Pacific and There’s No Business Like Show Business, her omission being particularly glaring given her historical significance. Michelle Trachtenberg, who passed away at 39, was recognized for her work in television and movies such as Harriet the Spy. Shannen Doherty, who died at 53, had culturally significant roles in Heathers and Mall Rats. Mexican acting legend Silvia Pinal, who appeared in three classics directed by Luis Buñuel, and French icon Alain Delon, known for films like Le Samouraï, were also missed. British actress Olivia Hussey, famous for her role in Franco Zeffirelli’s Romeo and Juliet, was another notable absence. The discussions surrounding these omissions reflect the ongoing debate about how best to honor the departed in a way that is inclusive and representative.