Empowering Students, One Outfit at a Time
Sharing the Burden of Poverty
The MANY program's origins can be traced back to a simple, yet poignant story shared by its board president, Schaefer. She recounted learning about two sisters who shared a single pair of shoes, a testament to the harsh realities faced by some local students. This anecdote underscores the program's mission to address the often-overlooked needs of children living in poverty.Schaefer, who has served as the board president for over three decades, has witnessed firsthand the transformative impact of the MANY program. She explains that the program's reach extends beyond Middletown, serving students from surrounding districts, including Marshall, Edgewood, Monroe, Middletown Christian, John XXIII Elementary, Fenwick, Summit Academy, Madison, and Franklin, as well as those attending Butler Tech.
The program's success is evident in the numbers. This year alone, MANY purchased clothing items for 777 students, exhausting a significant portion of its $75,000 budget. Schaefer notes that the need continues to grow, with more students living in single-parent households or with grandparents, aunts, or uncles, a reflection of the changing demographics in the community.
Restoring Dignity and Self-Esteem
The MANY program's approach is designed to preserve the dignity and self-esteem of the students it serves. When a student is selected to receive assistance, their parent, guardian, or teacher is given a $100 voucher to purchase clothes at Kohl's. The department store then submits the vouchers to MANY volunteers, who reimburse the store.Debbie Hazelbaker, the secretary of MANY, emphasizes the importance of students wearing appropriate clothes, as it can significantly impact their self-image and confidence. She shares that some students in the program have never owned new clothes, and the experience of shopping at Kohl's can be a transformative one, as they discover where their department is located and explore the aisles with a newfound sense of excitement.
The MANY program's commitment to preserving anonymity is also noteworthy. Each school is allotted a certain number of vouchers, and the student's name is not attached to any of the documents, ensuring that the process remains discreet and dignified.
A Community-Driven Effort
The MANY program's success is a testament to the generosity and dedication of its volunteers and supporters. Schaefer explains that the organization operates with no overhead, as the volunteers themselves purchase the paper, envelopes, and postage for the solicitation letters sent to potential donors.The program is funded entirely through private donations and local foundations, with additional fundraising efforts, such as raffling off gift baskets at high school basketball games. Schaefer emphasizes the importance of community involvement, as the program relies on bus drivers, teachers, and school counselors to identify students in need of assistance.
The MANY program's impact extends beyond the tangible benefits of providing clothing. Hazelbaker notes that the program helps students develop a "good self-image," a crucial factor in their overall well-being and academic success. By ensuring that students can attend school with dignity, the MANY program is not only meeting their immediate needs but also investing in their long-term futures.
As the MANY program continues to grow and adapt to the changing needs of the community, its mission remains steadfast: to empower students, restore dignity, and foster a sense of belonging. Through the generosity of its supporters and the tireless efforts of its volunteers, this unsung hero of the Middletown area is making a lasting difference in the lives of countless young people.
Reclaiming the Banknote as a Canvas for Feminist Protest
Viennese Avant-Garde: Revolutionizing Money Design
The engagement of Viennese Avant-Garde artists during the turn-of-the-century 'Secessionist' period with money design is a captivating tale of how tradition and innovation intersect. These visionary creators, including the likes of Gustav Klimt and Koloman Moser, challenged the conventional approaches to currency design, infusing it with their unique artistic sensibilities. Their striking depictions of women, ranging from allegorical figures to dreamlike motifs, have left an indelible mark on the world of money.Klimt's pre-eminent Jugendstil genius is evident in his banknote artworks, which feature women with their dreamy eyes, flowing hair, and a distinct 'Egyptian' posture. These captivating images stand in stark contrast to the more traditional German Historicist art school, exemplified by Franz Matsch's note designs featuring a sword-wielding allegorical woman. Koloman Moser, the only Viennese artist whose design made it to final circulation, also showcased his mastery with his dreamy-eyed women gracing the banknote artworks.Interestingly, the Imperial Austro-Hungarian Bank authorities rejected the proposals of Klimt and other Viennese artists, citing their designs as having "very little appeal." This decision highlights the tension between the visionary creativity of these artists and the more conservative sensibilities of the establishment. Nevertheless, their contributions have left an indelible mark on the history of money design, paving the way for future generations to explore the intersection of art and currency.The Queen's Monetary Portraits: A Pioneering Photographer's Legacy
The late Queen Elizabeth II has become one of the most recognizable figures to grace the world's currencies. No less than 33 issuing authorities across the globe have featured her image on banknotes, with 31 distinct "monetary portraits" capturing her at various stages of her long life. These portraits are largely based on photographs taken by renowned photographers, including the pioneering 20th-century woman photographer, Dorothy Wilding.Wilding's striking simplicity and royal connection made her the first choice to photograph Queen Elizabeth II for the new coins, banknotes, and stamps in 1953. Her portraits of the Queen have become the most widespread, appearing on banknotes of more than 15 countries worldwide. Wilding's journey to becoming the first woman official royal photographer for George VI's coronation in 1937 and receiving a Royal Warrant in 1943 is a testament to her determination and artistic prowess.Stopped by her family from pursuing an acting or painting career, Wilding rebelliously declared, "I'll do it through the camera instead." Her remarkable talent and perseverance paved the way for her to capture the iconic images that have become synonymous with the Queen's monetary portraits, leaving an indelible mark on the world of currency design.Reclaiming the Banknote as a Canvas for Feminist Protest
While the honor of having one's likeness grace a coin or a note has traditionally been reserved for men, some contemporary artists have sought to reclaim the banknote as a space to voice feminist political protest. Using money as a medium, these artists have challenged the status quo and brought attention to the underrepresentation of women on international currencies.This reclamation of the banknote as a canvas for feminist expression is a powerful statement, subverting the traditional role of currency as a symbol of male-dominated power structures. By inserting the images and narratives of women onto these ubiquitous financial instruments, these artists are disrupting the established norms and demanding a more inclusive and equitable representation in the world of money design.Through their creative interventions, these contemporary artists are not only highlighting the historical absence of women on currency but also using the very medium of money to amplify their voices and advocate for greater gender parity. This innovative approach to money design serves as a testament to the enduring power of art to challenge societal norms and inspire meaningful change.