In the late 1940s, a young British woman named Barbara emerged as a trailblazer in the fashion world. Her journey began when a photograph in the Daily Express caught the attention of designer Julian Rose, leading to opportunities with prestigious publications like British Vogue and Harper’s Bazaar. By the summer of 1948, Barbara made her Paris debut for Christian Dior, where her unique physique perfectly complemented the designer’s creations. Over the next few years, she became a sought-after model for top designers such as Cristóbal Balenciaga. Barbara’s ability to embody both elegance and approachability made her a symbol of British fashion on an international stage. She commanded high fees and carefully selected assignments, ensuring her status as a pioneer in the modeling industry.
Barbara's career took off after a photograph in a popular newspaper drew the admiration of prominent designer Julian Rose. This serendipitous discovery opened doors to collaborations with leading fashion magazines. In the summer of 1948, she ventured to Paris, posing for renowned photographer Clifford Coffin at Christian Dior. Dior was particularly impressed by how his designs accentuated Barbara’s figure, leading to numerous iconic photoshoots. One standout moment came in 1949 when Horst P Horst captured her in the breathtaking “Junon” gown, which later gained renewed fame through Natalie Portman’s red carpet appearance in 2023. Vogue praised one of her looks as being as universally appealing as the Ford automobile, highlighting not only the dress's design but also Barbara’s unparalleled ability to sell it.
The French couturiers quickly embraced Barbara, recognizing her potential to elevate their brands. She worked extensively with Cristóbal Balenciaga and became the first British model to achieve such prominence abroad. Known initially as a "mannequin," Barbara transcended this title, becoming what could be considered the first "super-mannequin." Her versatility allowed her to represent luxurious styles in London and Paris while maintaining a connection with fans across the UK. Barbara participated in distinctly British photo sessions, including memorable shoots at Charing Cross Station and atop a Lancashire textiles factory. Her annual earnings soared to £3,000, far surpassing the typical salary of the era.
By the third year of her career, Barbara understood the importance of exclusivity. She strategically increased her fees and turned down less appealing offers, focusing on prestigious assignments. Seeking perfection, she even underwent cosmetic surgery on her nose. During this period, she collaborated with photographers John Deakin and Anthony Denney, producing some of her most significant images. Barbara embarked on a global tour, representing British fashion in America, Australia, and New Zealand. Her balancing act between visibility and scarcity became a topic of discussion, reflecting challenges that many aspiring supermodels would face in the future. Despite the delicate balance, Barbara remained a timeless icon in the fashion world.
In the world of cinema, few events capture the essence of British film quite like the BAFTA Awards. Known for their unpredictable outcomes and candid moments, these awards celebrate the best in filmmaking while showcasing a distinct British charm. This year, as we approach the 2025 edition, excitement is building over potential surprises and memorable performances that will grace the stage. The event promises not only to honor outstanding achievements but also to provide an unforgettable evening filled with entertainment and emotion.
In the heart of winter, the anticipation for the 2025 BAFTAs has already begun. On January 7th, the nominees for the EE Rising Star award were revealed, featuring up-and-coming talents such as Mikey Madison from "Anora" and Jharrel Jerome from "Unstoppable." Meanwhile, the longlist was released on January 3rd, offering a glimpse into the diverse range of films and artists vying for recognition. Categories like Best Film, Outstanding British Film, and Debut by a British Writer, Director or Producer highlight a mix of established names and fresh faces. Notable films include "Dune: Part Two," "Conclave," and "Emilia Pérez," each bringing unique narratives to the forefront.
The ceremony itself will take place on February 16th at the Royal Festival Hall, marking a continuation of its new home since 2023. David Tennant, who hosted last year’s event, will return to guide the proceedings. With voting set to conclude on January 15th, the final nominations will soon be announced, setting the stage for what promises to be a thrilling night of accolades and surprises.
This year, the BAFTAs introduce a new category—Best Children’s and Family Film—celebrating intergenerational storytelling. Performances, though less predictable than at the Oscars, are always a highlight. Last year saw Sophie Ellis-Bextor performing "Murder on the Dancefloor" and Hannah Waddingham singing during the In Memoriam segment. This year, anything could happen, adding to the excitement.
From a journalist's perspective, the BAFTAs serve as more than just an awards show; they are a testament to the vibrant and innovative spirit of British cinema. The introduction of new categories reflects a growing commitment to inclusivity and diversity in storytelling. As we look forward to this year's event, it's clear that the BAFTAs continue to evolve, celebrating both tradition and innovation. For audiences, it's a reminder of the power of film to bring people together, inspire change, and create lasting memories. Whether through heartfelt speeches or unexpected performances, the BAFTAs remind us why we love cinema in the first place.
In recent years, a specific genre of film has captured the imagination of online audiences. These so-called "internet films" often feature an unexpected musical choice, a boundary-pushing intimate scene, and an emerging heartthrob. Halina Reijn’s Babygirl is one such film that has garnered significant attention in 2026. The movie follows Romy, a powerful CEO in her late fifties, and Samuel, her much younger intern, as they navigate a complex and unconventional relationship. While the film offers visually striking moments and compelling performances, it leaves many questions unanswered, making it both engaging and frustrating for viewers.
Babygirl delves into the world of power dynamics and self-discovery through its central characters. Romy, portrayed by Nicole Kidman, is a high-achieving CEO who embarks on an affair with Samuel, played by Harris Dickinson. Their relationship is marked by exploration and experimentation, particularly in terms of dominance and submission. The film captures the rawness and uncertainty of their interactions, as both characters tentatively explore new aspects of their sexuality. For instance, there’s a pivotal moment where Samuel hesitantly commands Romy to kneel, and her hesitant response reflects the uncharted territory they are traversing together. This vulnerability adds depth to their evolving connection, making it both intriguing and emotionally resonant.
However, despite its provocative premise, Babygirl struggles to delve deeply into the themes it introduces. It touches upon several important topics—such as the intersection of public and private personas, the complexities of power, and the desire for something beyond conventional love—but ultimately leaves these threads unresolved. The film seems to flirt with profound commentary but never fully commits to exploring any single idea in depth. This can be seen as either a strength or a weakness, depending on what the viewer seeks from the experience. Some may appreciate the film’s willingness to leave things open-ended, while others might find it lacking in substance.
Regardless of its narrative shortcomings, Babygirl excels in its visual and atmospheric elements. The cinematography is stunning, with rich colors and striking visuals that enhance the film’s mood. From the sleek blues and deep reds of the urban landscape to the intimate scenes bathed in warm, ambient lighting, every frame feels meticulously crafted. Nicole Kidman’s presence adds another layer of intrigue, especially in scenes that juxtapose her professional demeanor with more vulnerable moments. The film’s ability to blend humor with intensity makes it an entertaining watch, even if it doesn’t provide all the answers.
In essence, Babygirl offers a captivating glimpse into the lives of two individuals navigating uncharted emotional and physical territories. While it may not fully resolve the themes it introduces, the film’s vibrant visuals and strong performances make it a memorable viewing experience. Whether you find it satisfying or unsatisfying likely depends on your expectations, but there’s no denying its ability to captivate and entertain.